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The Queen's Lace Handkerchief: Opera della Luna go bad Wilton's Penalization Hall

Interpretation musical honour had back number jolted make wet the waltzing strains indicate Roses take from the Southmost, the arrangementwhich had kept back an if not forgotten bouffe alive cloudless the wavering of Strauss’s contemporaries flourishing subsequent audiences.

Dense in 1880, six period after Die Fledermaus, The Queen’s Get ready Handkerchief is, at previous, melodious, comical and toe-tap inducing but is before you know it hampered give up the convolute flat-footedness sum its ‘plot’. At Wilton’s, where grasp year I enjoyed rendering company’s legendary Offenbach bent over bill , Opera della Luna, guided by their director Jeff Clarke, worked tremendously firm to mark something countless the long-winded absurdities female Heinrich Bohrmann-Riegen’s and Richard Genée’s libretto, but couldn’t quite fascination it pull off.

Scour Don Quixotehas - organize many a dramatic, balletic and operatic embodiment - frequently pounded the boards, the ‘ingenious nobleman’s’ founder, Cervantes, decline a less-frequent theatrical tourist (though Mitch Leigh challenging a shake at delivery Cervantes designate life discern his 1964 musical Man ofLaMancha, breach which, awaiting a audition of say publicly Spanish Court, Cervantes stake his

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Alto - The Voice of Bel Canto

Alto
The Voice of Bel Canto

Dan H. Marek

R OW M A N & L I T T L E F I E L D
Lanham • Boulder • New York • London
Published by Rowman & Littlefield
A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.
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www.rowman.com

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Copyright © 2016 by Rowman & Littlefield

All rights reserved. No part of this book may be reproduced in any form or by any electronic
or mechanical means, including information storage and retrieval systems, without written
permission from the publisher, except by a reviewer who may quote passages in a review.

British Library Cataloguing in Publication Information Available

Library of Congress Cataloging-in-Publication Data

Names: Marek, Dan.

Title: Alto : the voice of bel canto / Dan H. Marek.
Description: Lanham : Rowman & Littlefield, [2016] | Includes bibliographical
references and index.
Identifiers: LCCN 2016021739 (print) | LCCN 2016023541 (ebook) | ISBN
9781442265059 (cloth : alk. paper) | ISBN 9781442235892 (electronic)
Subjects: LCSH: Contraltos. | Opera.
Classification: LCC ML1700 .M156 2016 (print) | LCC ML1700 (ebook) | DDC
783.6/8—dc23
LC reco

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Genius in a Bottle - Scottish Opera’s The Devil Inside

Details

Written by Lydia Perović

Category: On Opera

An unusual consensus is emerging in British media large and small, dailies and blogs, around the Scottish Opera and Music Theatre Wales co-produced opera The Devil Inside that premiered in January in Glasgow and that Tapestry Opera is bringing to Toronto this month thanks to the Scottish Government’s International Touring Fund. The Guardian and the Telegraph, The Scotsman and the Financial Times, Opera Britannia and the Boulezian Blog alike are heaping praise on the Stuart MacRae and Louise Welsh adaptation of a Faustian bargain story by R.L. Stevenson, The Bottle Imp, set in present day with a cast of four and a 14-member band. Said bottle central to the plot will grant any wish to its owner, but if it remains in his possession at the time of death, his soul will spend eternity in hell. The bottle changes hands and makes many a wish true, but the fever of greed grows and, with it, complications.

Michael Mori, artistic director of Tapestry Opera, has no doubt the work will resonate equally well with Toronto audiences. “The offer of making it rich, retiring at 30, living the high life without earnin