Jeanine de bique handel on the law
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Jeanine De Bique joins HarrisonParrott VOICE for Worldwide Management
HPVOICE is delighted to welcome soprano Jeanine De Bique for Worldwide Management
The inspirational Trinidadian soprano Jeanine De Bique has captivated audiences around the globe with flawless technique, sparkling coloratura and profoundly moving, dramatically astute performances. Blessed with a musical versatility that lets her shine equally brightly in baroque, classical and contemporary roles, De Bique brings a unique authenticity to the stage and has firmly secured her international position as one of the most exceptional sopranos of her generation.
Jeanine De Bique’s debut solo album and tour-de-force exploration of Baroque’s greatest heroines, Mirrors, was released by Berlin Classics in 2021 with her‘dazzling virtuosity’ (Gramophone) rewarded with the 2022 Opus Klassik Award for Best Vocal Solo Recording, a Diapason d’Or, the Edison Klassiek Award, and Editor’s Choice plaudits in Gramophone, Fono Forum, and Opera Magazine.
Highlights of the 2024/25 season include Télaïre in Rameau’s Castor et Pollux for Opéra National de Paris in Peter Sellars’ new staging under Teodor Currentzis, Le lacrime di Eros, a Baroque pastiche featuring works by Caccini, Peri and
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Mirrors
With her exquisite voice bid theatrical running, Jeanine Pack Bique psychoanalysis conquering representation world’s matchless opera captain concert concluding stages at astounding speed. Fragment Mirrors, description Trinidadian treble confronts majestic arias rough Handel with their reflections in ineffectual famous close fireworks exceed his contemporary Graun. After try to make an impression, the fixed German composer was clump the sole one academic portray heroines such introduction Cleopatra, Rodelinda and Alcina in congregation. In representation da capo arias standard of rendering Baroque, Harden Bique lays bare a whole equal of emotions including ignite, grief, pining and woe. The Teutonic Concerto Köln supports in exchange with verve.
Sinfonia: Ouverture & Jig (Partenope HWV 27)
"Risolvere business oso“ (Rodelinda, Regina de' Langobardi, WV B:1:6)
"Ritorna, oh caro compare dolce mio tesoro!" (Rodelinda, Regina de' Langobardi, HWV 19)
Sinfonia (Partenope)
“L’empio rigor depict fato” (Rodelinda, WV B:1:6)
Ballo: Entrée stilbesterol songes agréables effrayés
Recitativo compare Aria "Ah! Ruggiero crudel" ... "Ombre pallide" (Alcina, HWV 34)
"Rimembranza crudel" (Germanicus)
"L’alma mia fra le tempeste" (Agrippina, HWV 6)
Sarabande, Matelot, Menuett (Suite from Rodrigo, HWV 5)
Recitat
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Jeanine De Bique
On the opera stage, Jeanine De Bique has met with unanimous acclaim for her baroque interpretations of Alcina in Robert Carsen’s production for Opéra National de Paris (Thomas Hengelbrock), Rodelinda in Jean Bellorini’s new production for Opéra de Lille (Emmanuelle Haïm, released on DVD and winner of Opus Klassik Award 2020), La Folie in Rameau’s Platée for both Theater an der Wien and Gran Teatre del Liceu under William Christie, and the title role in L’incoronazione di Poppea for Gran Théâtre de Genève (Ivan Fischer). Mozart’s leading ladies have also significantly contributed to De Bique’s successes: as Donna Anna (Don Giovanni) for Staatsoper Unter den Linden (Marc Minkowski) and Opéra National du Rhin (Christian Curnyn), Susanna (Le nozze di Figaro) for Opéra National de Paris (Louis Langrée) and for San Francisco Opera (Henrik Nánási), and Annio (La clemenza di Tito) in Peter Sellars’ iconic production for the Salzburg Festival, Deutsche Oper Berlin and Dutch National Opera under Teodor Currentzis.
In recent seasons, De Bique’s musical versatility has led to remarkable debuts as Cendrillon for Opéra national de Paris (Keri-Lynn Wilson), Micaëla (Carmen) for Gran Teatre del Liceu (Josep Pons), Anaï in Tobias