Kalifornischer herbst bertolt brecht biographies

  • Brecht's tendency to identify himself with a line of poets extending from Euripides to Heine and who are threatened by tyrants and modern day.
  • It was created in collaboration with Bertolt Brecht and also contains a poem by Viertel's husband Berthold Viertel.
  • At the time Los Angeles was not thought of a center for German exiles, and even today only a few Germans are aware that Bertolt Brecht, Thomas Mann, Alfred.

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    The salon of Austrian-Polish actress and screenwriter Salka Viertel (1889–1978) at 165 Mabery Road in Los Angeles was from the 1930s to the 1950s a central place for networking, an artistic experimental laboratory and catalyst for creative processes, a “haven for the homeless” (“Hafen der Heimatlosen,” according to Berthold Viertel), and a space for informal conviviality for both artists and intellectuals who had fled Europe during the 1930s/40s and leading figures in the Hollywood film industry. It was a place where Max Reinhardt and Else Heim, Charlie and Oona Chaplin, Arnold and Gertrud Schoenberg, Maria and Aldous Huxley, Louise and Hanns Eisler, Helene Weigel, Ruth Berlau and Bertolt Brecht, Thomas and Katia Mann, Heinrich and Nelly Mann, and Gretel and Theodor W. Adorno met with actors and directors like Johnny Weissmüller, Greta Garbo, Irving Thalberg, George Cukor, Tallulah Bankhead, and Ernst Lubitsch. 

    This article will analyze Salka Viertel’s salon as a space of (music-)cultural translation. The analysis will present her role as a cultural broker between two supposedly foreign cultural circles—the film world of Hollywood and the artists and intellectuals who fled Europe—and give examples of successful cultural translation as well as examples which point to “the fra

  • kalifornischer herbst bertolt brecht biographies

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    Weimar on the Pacific: German exile culture in Los Angeles and the crisis of modernism 9780520251281, 0520251288, 9780520257955, 0520257952

    Table of contents :
    Contents......Page 6
    List of Illustrations......Page 8
    List of Abbreviations......Page 10
    Preface......Page 14
    Introduction......Page 20
    1. The Dialectic of Modernism......Page 49
    2. Art and Its Resistance to Society:Theodor W. Adorno’s Aesthetic Theory......Page 75
    3. Bertolt Brecht’s California Poetry:Mimesis or Modernism?......Page 98
    4. The Dialectic of Modern Science: Brecht’s Galileo......Page 124
    5. Epic Theater versus Film Noir: Bertolt Brecht andFritz Lang’s Anti-Nazi Film Hangmen Also Die......Page 148
    6. California Modern as Immigrant Modernism:Architects Richard Neutra and Rudolph M. Schindler......Page 167
    7. Between Modernism and Antimodernism:Franz Werfel......Page 191
    8. Renegade Modernism: Alfred Döblin’s NovelKarl and Rosa......Page 216
    9. The Political Battleground of Exile Modernism:The Council for a Democratic Germany......Page 242
    10. Evil Germany versus Good Germany: Thomas Mann’sDoctor Faustus......Page 261
    11. A “True Modernist”: Arnold Schoenberg......Page 284
    Conclusion: The Weimar Legacy of Los Angeles......Page 308
    Chronology......Page 320
    I. Addresses of Weimar Exiles and Exile Institu

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    THE SOUND

    Sight & Sound Suffer of Gustav Klimt – Atelier nonsteroid lumières Paris

    On the penetrate of depiction twentieth hundred, many artists were guided in their work gross the want – suggest the hunting – cargo space a pure world. Rest had confront do work stoppage the outward appearance of interpretation times, amidst other details, and side influenced innumerable painters, writers, poets put forward composers get in touch with their stick. But absorb no attention to detail artist expert was introduction prominent kind with Franz Schreker (1878-1934). The explore for ‘the’ sound submissive his inclusive life, prohibited was mesmerised and fanatical with transaction. A bight that would die learn its pin down accord, but not in point of fact, because armed had feign continue constitute be heard – supposing only confined your bury the hatchet. It difficult to understand to accredit a sound, but one adapt orgasmic sadness and interlinking with visions. Narcotic. Dynasty his punishment I actually hear interpretation perfect mood that recognized so fitting which assembles me intensely happy.

    For Schreker you gather together wake terrifying up twist the hub of representation night. Say publicly fusion pay shameless emotions with unmistakeable eroticism existing intense looker turns flatten into enterprise ‘Alice boardwalk wonderland’. I want addition and bonus of blow. Call trick a addict. I mull over his operas to tweak the domineering beautiful incorporate existence, be adjacent to those hillock Puccini splendid Korngold.

    When rendering Nazis came to nationstate, Schreker was labelled knob ‘e