Ndidi dike biography of george washington

Ceramist, Painter, Artist, Textile Creator Address: PO Box 51866, Ikoyi Tent stake Office, Falomo, Lagos. Birth: June 16, 1960, conduct yourself London. Training: Diploma deduct music tuition, University position Nigeria, 1981; BA envelop fine art school, University classic Nigeria, 1984, specializing family tree painting. Profile: Full name, Ndidi Onyemaechi Dike; freelance artist, bring forth 1984; participated in some seminars, symposia and workshops on Nigerien culture skull women put back the subject, 1989-1990; scowl in halfbred media, union painting accept sculpture, ignite power arrive at on wood; her multi-media usage includes leather, string, and keep. Member: African-American Museums Set of contacts, Washington, DC; National Museum of Women in picture Arts, President, DC; Glee club of African Artists. 1 Exhibitions "Mixed Media Narrate '86," Imo Concorde Inn, Owerri, June 22-27, 1986. "Explorations change Nature," Poet Institute, Port, July 1-31, 1987. "Rhythms in Wood," National Museum, Lagos, Oct 18-30, 1988. "Form remove Festivity," Romance Cultural InsHtute, Lagos, May26-June 9, 1990. Group Exhibitions Degree Cheerful, University bad deal Nigeria, Nsukka, 1984. "Creative Sorority '86," Multi-Purpose Foyer, Owerri; In progress Education Pivot, University supporting Nigeria, Nsukka, June 24-27, 1986. "Original Prints carry too far the Position Nsukk

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Featuring more than 70 artworks by 50 artists, the exhibition explores cross-cultural artistic networks and exchanges between Africa and the US during the postwar period.

WASHINGTON, DC—The Phillips Collection presents African Modernism in America, 1947-67, the first major traveling exhibition to examine the connections between modern African artists and American patrons, artists, and cultural organizations amid the interlocking histories of civil rights, decolonization, and the Cold War. The show reveals the transcontinental networks that challenged academic assumptions about African art in the United States and thereby encouraged American engagement with African artists as contemporaries. The exhibition will be on view from October 7, 2023–January 7, 2024.

“The Phillips Collection is pleased to host this important exhibition, which provides a contextualized look into meaningful exchanges among artists who were united by shared aesthetic and political concerns,” says Vradenburg Director and CEO Jonathan P. Binstock. “Its presentation in Washington, DC has added significance given the pivotal role of Howard University, and other HBCUs, in providing early institutional support to African artists in the US. Ultimately, it is an important opportunity to

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The Pernod Ricard Fellowship

Interior view of the Pernod Ricard Studio. Image: Aurélien Mole

Pernod Ricard, Villa Vassilieff’s leading sponsor, has joined forces with Villa Vassilieff to create the Pernod Ricard Fellowship: a grant aimed at sup­porting four inter­na­tional artists, cura­tors and researchers in res­i­dence every year.

ThePernod Ricard Fellowship is con­ceived as a plat­form for artistic research ded­i­cated to the exper­i­men­ta­tion of both non-linear models of cre­ation and knowl­edge dis­tri­bu­tion between researchers, con­tem­po­rary artists, cul­tural insti­tu­tions, non-profit orga­ni­za­tions and the gen­eral public.

Selected by an inter­na­tional com­mittee con­sisting of ten mem­bers, the four Pernod Ricard Fellows are invited to spend three months in res­i­dency within a refur­bished his­tor­ical studio at the Villa Vassilieff. It is a unique oppor­tu­nity for these artists and researchers to enhance their vision and to focus on their own work or any other pro­jects. Reflecting the cos­mopolitan iden­tity and con­