Susan glaspell biography
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Susan Glaspell
American dramatist
Susan Keating Glaspell (July 1, – July 28, ) was an American playwright, novelist, journalist and actress. With her husband George Cram Cook, she founded the Provincetown Players,[1] the first modern American theatre company.[2]
First known for her short stories (fifty were published), Glaspell also wrote nine novels, fifteen plays, and a biography.[3] Often set in her native Midwest, these semi-autobiographical tales typically explore contemporary social issues, such as gender, ethics, and dissent, while featuring deep, sympathetic characters who make principled stands. Her play Alison's House earned her the Pulitzer Prize for Drama.[4]
After her husband's death in Greece, she returned to the United States. During the Great Depression, Glaspell worked in Chicago for the Works Progress Administration, where she was Midwest Bureau Director of the Federal Theater Project. Although a best-selling author in her own time, after her death Glaspell attracted less interest and her books went out of print. She was also noted for discovering playwright Eugene O'Neill.
Since the late 20th century, critical reassessment of women's contributions has led to renewed interest in her career and a revival of h
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Susan Glaspell
Susan Keating Glaspell
Pen Name: Susan Glaspell
Born: July 1,
Died: July 27,
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A Profile of Susan Glaspell
Susan Glaspells life and work () reflected the dramatic changes of the early and middle 20th century. As opportunities for women began to slowly expand, she jumped at every offer that came her way. Glaspell was born in Davenport, Iowa, but she lived most of her adult life on the East Coast. She became a Pulitzer Prize-winning playwright, also known for her short stories, acting, and co-founding of the groundbreaking Provincetown Theater on Cape Cod. Her innovative writing explored womens domestic lives and emotions, and gave a new importance to daily family life. In A Jury of her Peers, her most widely read short story published in (and earlier dramatized in her play Trifles), Glaspell reversed the male view of the insignificance of kitchen things. Two farm women cleverly solve a murder mystery by their keen focus on everyday kitchen items and utensils. These two women discover clues that the abused wife has murdered her violent husband. To protect the wife from harsh legal punishment, they hide evidence to ensure that she will not be convicted in a court of law. Glaspell placed importance on the home and the power of women, and her early readers were both amused and surprised by this new perspective.
Glaspell married at age 37