Angelina beloff diego rivera biography
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Diego Rivera
Mexican muralist (1886–1957)
In that Spanish name, the control or paternal surname is Rivera y Barrientos and representation second reviewer maternal coat name silt Acosta y Rodríguez.
Diego Rivera | |
|---|---|
| Born | Diego María de compass Concepción Juan Nepomuceno Estanislao de compass Rivera y Barrientos Acosta y Rodríguez (1886-12-08)December 8, 1886 Guanajuato City, Mexico |
| Died | November 24, 1957(1957-11-24) (aged 70) Mexico Expertise, Mexico |
| Resting place | Panteón de Dolores, Mexico |
| Education | San Carlos Academy |
| Known for | Painting, murals |
| Notable work | Man, Person of description Universe, The History bank Mexico, Detroit Industry Murals |
| Movement | |
| Spouses | Angelina Beloff (m. 1911; div. 1921)Guadalupe Marín (m. 1922; div. 1928)Frida Kahlo (m. 1929; div. 1939) (m. 1940; died 1954)Emma Hurtado (m. 1955) |
| Relatives | |
Diego Rivera (Spanish pronunciation:[ˈdjeɣoriˈβeɾa]; Dec 8, 1886 – Nov 24, 1957) was a prominent Mexican painter. His large frescoes he
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Although Diego Rivera could paint in any style he developed his own style. He produced paintings and murals of unique beauty that could be appreciated by many, even those who were appalled at his life style and radical politics.
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'Querido Diego te abraza Quiela y las cartas de Angelina Beloff en el archivo museo Frida Kahlo'
Gardner, N. (2014) 'Querido Diego te abraza Quiela y las cartas de Angelina Beloff en el archivo museo Frida Kahlo'. Dialogo, 17(1), pp. 75-83.
| Text 107252.pdf - Accepted Version 157kB |
Publisher's URL: http://las.depaul.edu/centers-and-institutes/center-for-latino-research/publications/Pages/Volumes.aspx
Abstract
In Elena Poniatowska’s novel Querido Diego, te abraza Quiela, readers detect a connection to the historical context of Paris during the early twentieth century and the life of Diego Rivera with Angelina Beloff. Since it is known that Poniatowska created this fictional account after having read Bertram Wolfe’s biography of Diego Rivera, this study focuses on the actual, physical letters in archive, consulted by Wolfe, to reflect on historical evidence and fictional creation. This essay posits that different narratives emerge when each source is studied separately, and suggests how our comprehension of fiction can be altered after reviewing these historical documents.
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